Encoding Polyphony from Medieval Manuscripts Notated in Mensural Notation
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Título: | Encoding Polyphony from Medieval Manuscripts Notated in Mensural Notation |
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Autor/es: | Desmond, Karen | Pugin, Laurent | Regimbal, Juliette | Rizo, David | Sapp, Craig | Thomae, Martha E. |
Grupo/s de investigación o GITE: | Reconocimiento de Formas e Inteligencia Artificial |
Centro, Departamento o Servicio: | Universidad de Alicante. Departamento de Lenguajes y Sistemas Informáticos |
Palabras clave: | Music encoding | Polyphony | Medieval manuscripts | Mensural notation |
Área/s de conocimiento: | Lenguajes y Sistemas Informáticos | Música |
Fecha de publicación: | 18-may-2022 |
Editor: | Universidad de Alicante |
Cita bibliográfica: | Desmond, Karen, et al. “Encoding Polyphony from Medieval Manuscripts Notated in Mensural Notation”. In: Münnich, Stefan; Rizo, David (Eds.). Music Encoding Conference Proceedings 2021, 19–22 July, 2021 University of Alicante (Spain): Onsite & Online. Alicante: Universidad de Alicante, 2022. ISBN 978-84-1302-173-7, pp. 197-219 |
Resumen: | This panel submission for the 2021 Music Encoding Conference brings together five short papers that focus on the making of computer-readable encodings of polyphony in the notational style – mensural notation – in which it was originally copied. Mensural notation was used in the medieval West to encode polyphony from the late thirteenth to sixteenth centuries. The Measuring Polyphony (MP) Online Editor, funded by an NEH Digital Humanities Advancement Grant, is a software that enables non-technical users to make Humdrum and MEI encodings of mensural notation, and links these encodings to digital images of the manuscripts in which these compositions were first notated. Topics explored by the authors include: the processes of, and the goals informing, the linking of manuscript images to music encodings; choices and compromises made in the development process of the MP Editor in order to facilitate its rapid deployment; and the implications of capturing dual encodings – a parts-based encoding that reflects the layout of the original source, and a score-based encoding. Having two encodings of the music data is useful for a variety of activities, including performance and analysis, but also within the editorial process, and for sharing data with other applications. The authors present two case studies that document the possibilities and potential in the interchange of music data between the MP Editor and other applications, specifically, MuRET, an optical music recognition (OMR) tool, and Humdrum analysis tools. |
Patrocinador/es: | The authors gratefully acknowledge The National Endowment for the Humanities, Fonds de recherche du Québec – Société et culture (FRQSC), Bourse au doctorat en recherche (13D - Musique) 2019-B2Z-261749, Alex Morgan, postdoc for the Josquin Research Project (2017), for his work on the “Renaissance dissonance labels” filter in collaboration with Craig Sapp, the Spanish Ministry HISPAMUS project TIN2017-86576-R, and the MultiScore Project, I+D+i PID2020-118447RA-I00, funded by MCIN/AEI/10.13039/50110001103. |
URI: | http://hdl.handle.net/10045/123683 |
ISBN: | 978-84-1302-173-7 |
Idioma: | eng |
Tipo: | info:eu-repo/semantics/conferenceObject |
Derechos: | Published in 2022 with Humanities Commons under a CC BY-NC-ND 4.0 (https://creativecommons.org/licenses/by-nc-nd/4.0/) license. |
Revisión científica: | si |
Versión del editor: | http://hdl.handle.net/10045/123637 |
Aparece en las colecciones: | Music Encoding Conference 2021 - Proceedings INV - GRFIA - Comunicaciones a Congresos, Conferencias, etc. |
Archivos en este ítem:
Archivo | Descripción | Tamaño | Formato | |
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proceedings_book_mec21-bookmarks-197-219.pdf | 20,58 MB | Adobe PDF | Abrir Vista previa | |
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