Music for the Moors and Christians Festivities as Intangible Cultural Heritage: A Specific Genre for Wind Bands in Certain Spanish Regions
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Título: | Music for the Moors and Christians Festivities as Intangible Cultural Heritage: A Specific Genre for Wind Bands in Certain Spanish Regions |
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Autor/es: | Catalá-Pérez, Daniel | Ponce Herrero, Gabino |
Grupo/s de investigación o GITE: | Geografía Humana |
Centro, Departamento o Servicio: | Universidad de Alicante. Departamento de Geografía Humana |
Palabras clave: | Wind bands | Festivals | Moors and Christians | Identity | Musical societies |
Área/s de conocimiento: | Geografía Humana |
Fecha de publicación: | 21-ago-2021 |
Editor: | Springer, Cham |
Cita bibliográfica: | Catalá-Pérez D., Ponce-Herrero G. (2021) Music for the Moors and Christians Festivities as Intangible Cultural Heritage: A Specific Genre for Wind Bands in Certain Spanish Regions. In: de-Miguel-Molina B., Santamarina-Campos V., de-Miguel-Molina M., Boix-Doménech R. (eds) Music as Intangible Cultural Heritage. SpringerBriefs in Economics. Springer, Cham. https://doi.org/10.1007/978-3-030-76882-9_7 |
Resumen: | This chapter makes a brief approach to the origins and evolution of both wind bands and the Moors and Christians festivals, especially in the Valencian Region, tracing the lines that connected both phenomena at a specific moment in history. The indissoluble relationship that has united them since then has created a musical genre that has not only become one of the most recognisable signs of Valencian society’s identity, but also a treasure of its intangible cultural heritage, and a fundamental part of the economic activity of musical societies in the context of what certain authors call “the ecosystem of the Moors and Christians cluster”. Moors and Christians festivals are linked to the hiring of bands for musical accompaniment in parades and for the celebration of other activities, such as concerts, recreational performances and recordings which make up an essential part of many musical societies’ funding sources. |
URI: | http://hdl.handle.net/10045/117292 |
ISBN: | 978-3-030-76881-2 | 978-3-030-76882-9 |
DOI: | 10.1007/978-3-030-76882-9_7 |
Idioma: | eng |
Tipo: | info:eu-repo/semantics/bookPart |
Derechos: | © The Author(s) 2021. Open Access This chapter is licensed under the terms of the Creative Commons Attribution 4.0 International License (http://creativecommons.org/licenses/by/4.0/), which permits use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons license and indicate if changes were made. The images or other third party material in this chapter are included in the chapter's Creative Commons license, unless indicated otherwise in a credit line to the material. If material is not included in the chapter's Creative Commons license and your intended use is not permitted by statutory regulation or exceeds the permitted use, you will need to obtain permission directly from the copyright holder. |
Revisión científica: | si |
Versión del editor: | https://doi.org/10.1007/978-3-030-76882-9_7 |
Aparece en las colecciones: | INV - GH - Capítulos de Libros |
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Archivo | Descripción | Tamaño | Formato | |
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Catala_Ponce_2021_MusicForTheMoorsAndChristians.pdf | 235,66 kB | Adobe PDF | Abrir Vista previa | |
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