Women and the Making of the University of Alicante Campus: Critical Reappraisals of Modern Architecture (1982–1999)

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Título: Women and the Making of the University of Alicante Campus: Critical Reappraisals of Modern Architecture (1982–1999)
Autor/es: Gutiérrez-Mozo, María-Elia | Parra-Martinez, Jose | Gilsanz Díaz, Ana
Grupo/s de investigación o GITE: Grupo de Investigación en Arquitectura: Experiencias del Entorno (GIA_EDE) | Metrópoli, Arquitectura y su Patrimonio (MAP)
Centro, Departamento o Servicio: Universidad de Alicante. Departamento de Expresión Gráfica, Composición y Proyectos
Palabras clave: Female architects | Spanish architecture | Peripheral modernism | Postmodernism | University of Alicante | Teaching facilities | Gender perspectives | Historiography | Gender and place
Área/s de conocimiento: Composición Arquitectónica
Fecha de publicación: 30-abr-2020
Editor: MDPI
Cita bibliográfica: Gutiérrez-Mozo M-E, Parra-Martínez J, Gilsanz-Díaz A. Women and the Making of the University of Alicante Campus: Critical Reappraisals of Modern Architecture (1982–1999). Arts. 2020; 9(2):57. doi:10.3390/arts9020057
Resumen: A stroll around the University of Alicante campus is like a journey through the history of Spanish architecture of the last 40 years, as many of its buildings exemplify the best production of the period. This legacy also tells a story about the role played by female architects within the profession. In fact, a gender reading reveals that only two women, Pilar Vázquez Carrasco, the architect of the Faculty of Sciences (FS, 1982) and the Social Club I (1987), and Dolores Alonso Vera, responsible for the Higher Polytechnic School IV (HPS, 1999), have designed structures on the campus over almost four decades and out of a total of more than 50 buildings. The FS is an example of structural sincerity whose brick and concrete materials and externalisation of services provide Brutalist echoes. The HPS IV is a design exercise consisting of a series of elegant, inviting volumes and open spaces intertwined with the campus garden. This essay focuses on the comparative analysis of these two award-winning works to unveil those contributions that female authorship has brought to their solutions by relating them to comparable buildings in space, time and type, but designed by male architects.
Patrocinador/es: This research was funded by the Ministry of Science, Innovation and Universities, Spanish Government. Research Project Title: Women in Spanish (Post)Modern Architecture Culture, 1965–2000. Grant number: PGC2018-095905-A-I00.
URI: http://hdl.handle.net/10045/106448
ISSN: 2076-0752
DOI: 10.3390/arts9020057
Idioma: eng
Tipo: info:eu-repo/semantics/article
Derechos: © 2020 by the authors. Licensee MDPI, Basel, Switzerland. This article is an open access article distributed under the terms and conditions of the Creative Commons Attribution (CC BY) license (http://creativecommons.org/licenses/by/4.0/).
Revisión científica: si
Versión del editor: https://doi.org/10.3390/arts9020057
Aparece en las colecciones:INV - MAP - Artículos de Revistas
INV - GIA_EDE - Artículos de Revistas

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