The "wooden substitute" in Graham Swift's The Son, or the futher step in the de-familiarizing transition from modernism to postmodernism
Please use this identifier to cite or link to this item:
http://hdl.handle.net/10045/5327
Full metadata record
DC Field | Value | Language |
---|---|---|
dc.contributor.author | Aguilar Osuna, Juan Jesús | - |
dc.date.accessioned | 2008-04-30T07:49:17Z | - |
dc.date.available | 2008-04-30T07:49:17Z | - |
dc.date.issued | 2000-11 | - |
dc.identifier.citation | AGUILAR OSUNA, Juan Jesús. “The "wooden substitute" in Graham Swift's The Son, or the futher step in the de-familiarizing transition from modernism to postmodernism”. Revista alicantina de estudios ingleses. No. 13 (Nov. 2000). ISSN 0214-4808, pp. 7-20 | en |
dc.identifier.issn | 0214-4808 | - |
dc.identifier.uri | http://hdl.handle.net/10045/5327 | - |
dc.identifier.uri | http://dx.doi.org/10.14198/raei.2000.13.01 | - |
dc.description.abstract | Graham Swift, as a postmodernist writer, partakes of the ontological defamiliarizing spirit that has become "the dominant" in the literature of the second half of the twentieth century. His short story The Son is a micro-scale version of the way in which he -by exploring problematic family bonds, most of them non-biological parent-child correspondences- literally de-familiarizes in his longer works the artificiality of the referential relationship that is assumed to exist between a supposedly objective reality and man's representation/creation of it. In this way, translating family relationships into referential bonds between signs and their referents, The Son can be approached as an allegorical dramatization of a further development in the consciousness of defamiliarization that helps to trace a transitional movement from modernism to postmodernism. This awareness of the hiatus in referential bonds and of its further implications may not be pleasant for everybody, but it is definitely liberating. | en |
dc.language | eng | en |
dc.publisher | Universidad de Alicante. Departamento de Filología Inglesa | en |
dc.relation.ispartof | Revista alicantina de estudios ingleses, No. 13 (Nov. 2000); pp. 7-20 | en |
dc.subject | Swift, Graham | en |
dc.subject | The Son | en |
dc.subject | Literatura inglesa | en |
dc.subject | Relato | en |
dc.subject | Relaciones familiares | en |
dc.subject | Alegoría | en |
dc.subject | Lenguaje metafórico | en |
dc.subject | Modernismo | en |
dc.subject | Posmodernismo | en |
dc.title | The "wooden substitute" in Graham Swift's The Son, or the futher step in the de-familiarizing transition from modernism to postmodernism | en |
dc.type | info:eu-repo/semantics/article | en |
dc.identifier.doi | 10.14198/raei.2000.13.01 | - |
dc.rights.accessRights | info:eu-repo/semantics/openAccess | - |
Appears in Collections: | Revista Alicantina de Estudios Ingleses - 2000, No. 13 |
Files in This Item:
File | Description | Size | Format | |
---|---|---|---|---|
RAEI_13_01.pdf | 1,05 MB | Adobe PDF | Open Preview | |
Items in RUA are protected by copyright, with all rights reserved, unless otherwise indicated.