“The drops which fell from Shakespear’s Pen”: Hamlet in Contemporary Fiction

Please use this identifier to cite or link to this item: http://hdl.handle.net/10045/27460
Información del item - Informació de l'item - Item information
Title: “The drops which fell from Shakespear’s Pen”: Hamlet in Contemporary Fiction
Authors: Gill, Patrick
Keywords: Shakespeare, William | Hamlet | Allusion | Adaptation | Contemporary fiction
Knowledge Area: Filología Inglesa
Issue Date: 2012
Publisher: Universidad de Alicante. Departamento de Filología Inglesa
Citation: GILL, Patrick. “The drops which fell from Shakespear’s Pen”: Hamlet in Contemporary Fiction”. Revista Alicantina de Estudios Ingleses. No. 25 (2012). ISSN 0214-4808, pp. 257-268
Abstract: Questions of gender, ethnicity and sexuality have all been raised by novelists intent on rewriting Shakespeare from the position of what have been seen as cultural margins. While discussions of such rewritings are ongoing, few concerted efforts have been made to trace a pattern in the treatment of Shakespearean allusion and adaptation at the hands of British and American writers of the literary mainstream. The present essay sets out to investigate the way in which three such writers —Ian McEwan, Graham Swift, and John Updike— employ allusion to/adaptations of Hamlet in their novels and what their respective stances reveal about their understanding of their role as canonical writers.
URI: http://hdl.handle.net/10045/27460 | http://dx.doi.org/10.14198/raei.2012.25.19
ISSN: 0214-4808 | 2171-861X (Internet)
DOI: 10.14198/raei.2012.25.19
Language: eng
Type: info:eu-repo/semantics/article
Peer Review: si
Appears in Collections:Revistas - Revista Alicantina de Estudios Ingleses - 2012, No. 25

Files in This Item:
Files in This Item:
File Description SizeFormat 
ThumbnailRAEI_25_19.pdf258,86 kBAdobe PDFOpen Preview

Items in RUA are protected by copyright, with all rights reserved, unless otherwise indicated.