Evanescence: Time in Modern Plastic Art
Por favor, use este identificador para citar o enlazar este ítem:
http://hdl.handle.net/10045/109823
Título: | Evanescence: Time in Modern Plastic Art |
---|---|
Autor/es: | Roche Cárcel, Juan Antonio | Carretero Pasín, Ángel Enrique |
Grupo/s de investigación o GITE: | Estudis Transversals: Literatura i Altres Arts en les Cultures Mediterrànies | Observatorio Lucentino de Administración y Políticas Públicas Comparadas |
Centro, Departamento o Servicio: | Universidad de Alicante. Departamento de Sociología I |
Palabras clave: | Evanescent time | Plastic art | Iconological analysis | Social hermeneutic | Social sciences |
Área/s de conocimiento: | Sociología |
Fecha de publicación: | dic-2020 |
Editor: | Springer Nature |
Cita bibliográfica: | Fudan Journal of the Humanities and Social Sciences. 2020, 13: 535-558. https://doi.org/10.1007/s40647-020-00291-6 |
Resumen: | The Article follows the trail of Max Weber’s comprehensive sociology and uses the hermeneutic and iconological analysis methods applied to significant contemporary plastic art works (painting and sculpture) which are representative of modern and late modern art. Starting from these theoretical and methodological bases, it pursues three specific objectives: (a) to analyze the construction of Time in plastic art, (b) to verify how this theme has evolved in artistic practices from the first modernity to the second and (c) to verify the way in which the complementary visual language the conceptual of contemporary sociological theory. In this regard, our paper provides evidence that the selected works prioritize a kind of temporality determined by the logic of capitalist industrial modernity. It likewise becomes obvious that time—focused on an accelerated and instantaneous omnipresent—lacks both an origin and a telos; it has neither a past nor a future and, in parallel, a gap has opened between the time of natural life and the artificial one, as well as between space and time, which is only transiently bridged at the imaginary level of art. Finally, the experience of time has been emptied, in such a way that the latter has lost some of its solidity and its sense of permanence, while the contingent, the fleeting and the ephemeral now occupy in its place. |
URI: | http://hdl.handle.net/10045/109823 |
ISSN: | 1674-0750 (Print) | 2198-2600 (Online) |
DOI: | 10.1007/s40647-020-00291-6 |
Idioma: | eng |
Tipo: | info:eu-repo/semantics/article |
Derechos: | © Fudan University 2020 |
Revisión científica: | si |
Versión del editor: | https://doi.org/10.1007/s40647-020-00291-6 |
Aparece en las colecciones: | INV - OLAPPC - Artículos de Revistas INV - ET - Artícles de Revistes INV - EMOCS - Artículos de Revistas |
Archivos en este ítem:
Archivo | Descripción | Tamaño | Formato | |
---|---|---|---|---|
Roche_Carretero_2020_FudanJHumSocSci_final.pdf | Versión final (acceso restringido) | 1,17 MB | Adobe PDF | Abrir Solicitar una copia |
Todos los documentos en RUA están protegidos por derechos de autor. Algunos derechos reservados.