The City as a Studio. Architectural Education through Bodily Experience

Please use this identifier to cite or link to this item: http://hdl.handle.net/10045/80107
Información del item - Informació de l'item - Item information
Title: The City as a Studio. Architectural Education through Bodily Experience
Authors: Avci, Ozan
Keywords: Architectural education | Architectural studio | Bodily experience | Encounters | Atmosphere
Issue Date: Sep-2018
Publisher: Universidad de Alicante. Escuela Politécnica Superior
Citation: Avci, Ozan. “The City as a Studio. Architectural Education through Bodily Experience”. En: Sánchez Merina, Javier (Ed.). EURAU18 Alicante: Retroactive Research: Congress Proceedings. Alicante: Escuela Politécnica Superior Alicante University, 2018. ISBN 978-84-1302-003-7, pp. 123-129
Abstract: Architectural knowledge has a dynamic character and can be discovered collectively during architectural education. The place of this discovery and production process can be considered as the “studio” and this studio doesn’t have to be limited in a building. To extend the limits of the studio to city scale creates new opportunities both for the students and the locals. Visiting different parts of the city and converting those places into a studio triggers encounters. Every encounter is a creative and productive act. As a course of its nature, the city is the place of confrontations and encounters. Being, producing and discussing in the city creates an atmosphere where intellectual, imaginative and creative encounters emerge. This emergence can be considered as a flashmob. Flash-mobs demonstrate the power of bodily experience and highlights the importance of performativity. Each student constructs a mental and muscle memory by his/her own bodily experience during the studio hours in the city. This experience let us to create an extra curriculum such as historical, socioeconomical, natural and cultural aspects and everyday life practices of the place. In this paper, I would like to discuss my way of teaching as a retroactive research. I prefer to use the city – Istanbul – as a studio and visit different parts of it for my courses. In this way, an architectural course turns into a retroactive research based on bodily experience. Each event of perception opens up to its own world and the world of perception is merged with the real world itself. When you use the city as a studio, the dynamic character of architectural knowledge unfolds itself and extends its content. In this critical pedagogy, architectural education becomes interactive between the city users and the students and transforms both of them.
URI: http://hdl.handle.net/10045/80107
ISBN: 978-84-1302-003-7
Language: eng
Type: info:eu-repo/semantics/conferenceObject
Rights: Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License (CC BY-NC-SA 4.0)
Peer Review: si
Publisher version: https://doi.org/10.14198/EURAU18alicante
Appears in Collections:Congresos - EURAU18 - Proceedings

Files in This Item:
Files in This Item:
File Description SizeFormat 
ThumbnailEURAU18PROCEEDINGS_19.pdf2,87 MBAdobe PDFOpen Preview


This item is licensed under a Creative Commons License Creative Commons